I Lived with the Villain in the ’70s

The story might not be groundbreaking, but it's well-paced and balanced with a mix of comedy, slapstick, romance, and drama. The unique aspects come from the protagonist's ability to navigate the male lead's condition, which adds an intriguing twist. Both male leads are charming in their own distinct ways, with their multifaceted affection for the female lead and even self-jealousy, making for heartwarming moments. The main character is likable, assertive, and has excellent taste, demonstrating skills in various aspects such as problem-solving, standing up for herself, and nurturing relationships.

Their interactions are delightful and occasionally frustrating due to the male lead's condition, but without excessive drama. The focus on care, affection, and support is evident. Overall, I wholeheartedly recommend this story!

"8/10 - 75% would recommend:
Firstly, for an authentic portrayal of mental health issues, this isn't it. The author admits they didn't research DID, so approach with a grain of skepticism.

Secondly, the female lead (FL) is portrayed as selfish, with a black-hearted nature. She deviates from her initial mission to heal the male lead (ML) when it doesn't suit her immediate desires.

Fortunately, the ML eventually finds completeness and deeply loves her, allowing for some character development, albeit not substantial or realistic.

Lastly, the supporting characters are consistently annoying, serving as the novel's 'villains' without clear-cut redemption. The ultimate revenge is personal growth and a better life.

If the FL's behavior becomes unbearable, feel free to skip or stop, as she leans towards a Mary Sue archetype. She may be a salty character, while her husband is portrayed as a submissive partner."

I must admit, this isn't really my area of interest. From a medical perspective, treating a real-life individual like the main character did with the three personalities would be highly detrimental to their well-being. That's why I couldn't continue reading or rate it higher than one star. As a writer, I believe it's crucial to conduct thorough research on topics like dissociative personality disorder before portraying them in a work. Spreading misinformation, even in fiction, can be harmful.

To rephrase the statement in English: "I won't go into much detail, but the main character (MC) is undeniably foolish and unlikable. Her words and choices consistently contradict her actions. I strongly dislike how she treats the male lead (ML) unfairly and persistently manipulates situations to bring out her third personality. She's hands down the worst MC I've encountered so far."

This narrative is incredibly heartwarming. I adore both the female lead (FL) and male lead (ML). It's filled with lots of adorable and tender moments. I couldn't help but read it all in one sitting.

The author utterly ruins the FL's character and keeps the ML in a constant state of suppression throughout their lives. Initially, the FL's supposed helpfulness and introduction of the DID book seem contradictory to her later ruthless bias. It's disheartening to see Yan Yang, who suffered severe abuse as a child, leading to multiple personalities including a violent one, further oppressed by a woman claiming to support and love him. She fails to acknowledge the third personality's origin in trauma and instead prioritizes her selfish desires, rather than assisting in healing.

I can't help but wonder if the author harbors some resentment towards Yan Yang, given how they manipulate his character post-"assimilation," suppressing his innocent interests like reading, studying, and pursuing education. The narrative assigns low ratings, just two stars, mainly due to the poor treatment of the FL. The portrayal of certain characters is flawed, with ridiculous villains receiving no adequate comeuppance and even the ML's family members, like his father and grandparents, who are portrayed as horrid, being easily forgiven or excused.

The beginning of the story is promising, but unfortunately, it falters significantly towards the end. The protagonist, a transmigrator from the 21st century, finds herself in a room identical to the one where she passed away, complete with a computer for online shopping. She can bring items from this space into her real life, including a book that loosely connects to her new reality (though not a major focus). Despite being intelligent, she lacks practical skills beyond manipulation.

The male lead (ML) possesses multiple personalities due to his traumatic past. After being locked in a freezing woodshed and later sold to an abusive family, he developed distinct personalities - a six-year-old coping mechanism, a psychopath obsessed with dieting, and a quiet, depressed adult. One personality, the main one, tries to navigate his painful experiences.

A crucial plot point involves the first personality's creation, which occurred when he was falsely accused of theft and developed a fever, leading to the second personality. The third personality emerged as a defense mechanism during his mistreatment.

Initially, the story showcases the protagonist's adjustment to her new environment. However, her lack of practical skills becomes apparent, as she struggles to contribute meaningfully to the family, apart from providing goods through her mysterious space. The narrative takes a downturn as the extra personalities fade, and the ML seeks revenge on those who wronged him.

Unfortunately, the author seems to run out of ideas after the main character unites his personalities, resulting in a rushed conclusion. The final chapters feel like a hasty resolution, rehashing events like their missed wedding, apologies from a relative, pregnancy, exams, and a brief glimpse of their future, including the ML starting a business and the original female lead and ML joining him.

For fans of well-structured "Into the 70s" stories or those with satisfying endings, this particular tale falls short. It's not a recommendation.

The book received a three-star rating from me, initially sparking interest due to its premise involving split personalities. Typically, I appreciate novels set in the 60s to 80s with a Golden Age vibe, such as those by Ian Fleming's James Bond. However, unfortunately, this particular read turned out to be quite monotonous. The characters lacked depth and failed to engage me. The main character (MC) and love interest (ML) seemed to lack any genuine connection or chemistry. Additionally, the ending was hastily resolved with a single brief paragraph, leaving much to be desired in terms of closure.